Mixing music is easier and more interesting if you know what you want to accomplish. But, going from a track to another can create a messy mixing situation. When mixing music at the Songmill Studios mixing studio, it is good to have a workflow. Rather than bouncing from one music mixing idea to another, consider the tips below:
Know How to Balance a Mix with Volume
For every mix, it is important to balance the volume of the tracks. A clear balance is nearly half the work, particularly when you have great-sounding tracks. The elements in the mix must be kept at a balanced and steady level, without abnormal level changes popping out all over the place. Keep in mind that EQ and Compression will only help if your balance is not out of whack.
Have References Close to Hand
Consider compiling a playlist of songs in the same genre that you would like to mix. Or maybe you can have examples of some elements you would want in the mix. This could be a certain snare sound or guitar sound you have heard in different songs. By having references at hand, you can speed your workflow and help you make decisions more quickly.
Plan on Panning
Panning helps you control a mix’s width. With panning, sound can be placed in your mix properly, either to the right or left of the stereo center. Heavier or lower sounds should be kept at the center, which means the bass or the kick. They can e used as a centering force that can be worked around. By panning everything centrally, your mix will sound flat or crowded.
Get the Arrangements Right
Avoid falling into the trap of having many tracks just because you can, or playing the same instrument through each portion of the song without making changes or adding extra interest. To add interest, you can bring in various instruments and sounds while the song progresses, so it builds and maintain the engagement of the listeners.
Do Not Overdo the Reverbs
While reverb makes everything sound lush and dreamy, using reverb on every track can leave the mix losing definition and gaining mud. Thus, it is important to limit yourself to just 4 or 5 reverbs across the mix. Also, try a short delay rather than a reverb on the vocal. Generally, overusing special effects can limit the effect of the entire mix.
